“The work's evanescence, its ‘not being,' the composition of the void, of the space between the lines, is the art, the mastery of Liliana Ponce in FUDEKARA, to make present what is felt, the other reality within ‘reality,’ released by and through the brush. Her admirable reticence is a bolt of world-opening lightning.” —Cecilia Vicuña
“In Liliana Ponce's dekatesseral FUDEKARA, nimbly translated by Michael Martin Shea, all thought emits a cosmic gesture and the writing hand traces an inviting, inkwet path to the negative sublime.” —Joyelle McSweeney
