Krista Franklin draws on Pan African histories, Black Surrealism,
Afrofuturism, pop culture, art history, and the historical and
present-day micro-to-macro violence inflicted upon Black people and
other people of color, working to forge imaginative spaces for
radical possibilities and visions of liberation.
Featuring 30 poems, 30 artworks, an author statement and an
interview, Too Much Midnight chronicles the intersections
between art and life, art and writing, the historical and the
speculative, cultural and personal identity, the magical and the
mundane.
